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The writer notes Alanzo Johnson's lost decision to M. Ali, then writes "To hold the tonque to the epletic." and describes a knife passing the marrow of bone. The writer closes with the claim that you create images and images create you.

The writer places a boxing note beside bodily danger and a statement about making images. The page supplies no account of the fight or explanation connecting these notes.

Typed on music-distributor stationery, the page notes 'Alanzo Johnson - Lost decision to M. Ali', then two images: 'To hold the tonque to the epletic.' and 'Or to watch the knife narrow past the marrow / of the bone.' A handwritten close adds 'You create images / And images create you'.

A boxing result, a first-aid gesture and a blade near bone sit side by side as raw material, and the handwritten couplet turns them into a statement about how images and their maker shape each other. The typed notes are clipped and physical; the handwriting is a plain, reversible maxim that reads like a working principle for the notebook.