Page 157
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Michael urges the others to care for the badly hurt man, then struggles to identify who struck him amid their shared rage. The man's moan becomes an inward torment, prompting a plea for forgiveness and a new beginning before a car's red and white lights appear.
The fight is no longer excitement but contamination. Shared violence makes individual responsibility hard to isolate without diminishing Michael's guilt; his plea to speak without destructive sound turns the injured man's moan into an accusation within his own body.
The narrator begs the others to stop 'this hell' because the man 'is hurt bad', sees O'Dandy and Murphy as 'white skulls prowling through the unforgiven', and cannot tell whether he or Murphy struck the blow; the man's moans seep into his guts until he hears a car and sees 'a red light turning and a white light streaming'.
The fight is recast as a shared trance with 'no sides', only 'rage and the blinding ego', so guilt spreads across everyone while still settling in the narrator's own body. His prayer to take the pain away and speak without sound 'tearing my words apart' turns remorse into a longing for rebirth, just as the police lights arrive.