Clensed
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
A long, incantatory poem about violence, distance, Europe, and sacred identity, where private hurt keeps widening into historical catastrophe.
A long, oracular poem (titled with the source spelling 'Clensed') that opens on 'cauldrons' and wandering and keeps expanding private pain into world-historical violence - Sodom, Cain, Europe, the Adriatic, America 'out of the air.' Its governing idea is stated flatly: 'only distance / saves the soul,' and 'isn't it / interesting, that only distance / saves the soul.' The piece ends with figures 'on fire' who 'worshiped again, equally,' purification looping back to immolation.
Whatever cleansing means here, it is not gentle - it runs through 'The kill of the rabbit as a child, / the gun later in the dark' and the claim that 'Hatered is easy when hurt.' The most provocative thread is the indictment of nearness: 'Proximity takes courage, which no / European has ever had,' followed by the grim joke that 'This change through centuries, / is why there are no trees in our Europe' - the typed insertion of 'our' making the speaker claim the ruined continent as his own inheritance. Closeness corrupts; only distance saves. The quoted self-mythology, 'While as a child only I was the saint with the sword,' plants a lone redeemer at the center of all this carnage. The typescript carries its own revisions - 'are' over a struck 'and', a typed 'e' turning 'revirced' into 'reverced', a handwritten 'Song' above 'happy enemy' whose exact insertion point is uncertain - and its spellings ('indenity', 'Sodum', 'reverced', 'Hatered', 'grantie') are the writer's, so several lines stay semantically slippery; the reading holds best at the level of its repeated thesis about distance and fire rather than any line-by-line argument.