Page 90

By Jack Joseph Smith

direct our sin out of it?" "I see my state of mind as being higher than yours, but I can not bring you to it." "I am not interested in living here any more than I would be interested in living with Bever- ly Hills gossip." "I believe you mistake my intentions." "You float in a lilly world without interfer- ence, so if I am driven, let me venture, in that way with my life." "But Jaugeline, you may die on drugs; and in your next life, you will necessarily begin with tragedy." "Nonsense; I am a healthy woman." He watched her walking away from him through the grounds. She was tall and slender, and her simple street dress did give line. There was the grace- ful squared bending of her shoulders; A round Counterpoint to her sway; and her legs were cer- tainly more beautifull than the stomach of Budda. A beer bar in the Santa Monica Canyon. Fairly long, quite narrow. A few tables and chairs up against the wall; a slim place for passage before the old wooden bar. High ceiling and a back exit. 10 o'clock on this Saturday morning.

Original Scan

Page 90

AI Interpretation

GPT

Jaugeline rejects spiritual condescension, walks away with physical poise, and the scene cuts to a narrow Santa Monica Canyon beer bar.

The page lets Jaugeline's argument become bodily movement: she refuses the sermon, claims her own place, and is then seen walking away with line, sway, and force. The bar setting shifts the narrative back toward a rougher social world after the spiritual-center exchange.

Claude

Jaugeline leaves the spiritual center and returns her argument to the body — the page moves from polemic back into physical presence without softening the critique.