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By Jack Joseph Smith

the action he was speeding through. His position on the move was forefront. But somehow the sharp sound traveling from booms could give him judgement about the outwardness of appearance, as if the hour glass might be switched for a new recording of time by a hand on another perceptual demention outside the du- ality of a universe coned by structure to the one sum of many. The booms ceased, and from his moments of looking down, he was snapped, like by the cowlick of his ha- ir, back up face against the sun. He recognized that his psychic was gaining an aliveness to the sun's immense intensity, while his nervious system used to a particular sensation from color, demanded an urge- ment from him on to heat. Sensations of new existance were becoming his immediate goal for life. Now he was noticing changes in absolute silence; The sun was sh- immering with him, spreading down. It would expand to piece embrace of him, and then curve back to exact degrees. This sway of the sun in and out of hour glass form gave a correspondence to his body mutual in mot- ion with the round rays of light. The sun seemed to be leaving its law of circles, so that concentration could only remain with glows. But suddenly the sun spun in form, like the shape of a lasso, it spun down and

Original Scan

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AI Interpretation

GPT

Within the flight, color, silence, and circular law become a new sensorium that pulls Animal beyond ordinary judgment.

The page is less narrative than perceptual. It tracks a change in how the sun and body correspond, as if reality is being rewritten through motion, concentration, and immersion in luminous form. The lasso image at the end turns the sun from a stable law into something suddenly active and descending.

Claude

Color, silence, and circular law replace ordinary sense inside the flight, and the page reads as the middle of a much longer vision that the author is still sorting into stanzas. Animal is described less as a body than as an alignment being tested.