Page 237

By Jack Joseph Smith

poll, because we're grownup's." It was animal talking. And as he said, "nobody thinks they can be beat down while their moving," Davenport turned to him uttering at the same time rather loudly, "I'm on my way freeway looping it right on to the big 66." At the sound of 66 Animal said, "King Cole came the other way." "Ain't gonna be no New York Blues for me baby. After- noon bartender, and lowside theatre at night." "Drop us off at Hart Street." Moments: Tire squeeze. Curb with no pullover. Beep, beep behind. Ready to rush from the seats Jaqueline: "My father being a lawyer; who put up the bail?" "Let not even an airwave of dept be mentioned upon arrival at the New Port of Daven." Animal: "Release from the cell is making laughter of the working man's bondage." Primed up Davenport called to them in exit, "they will endure;" and then was added his, "farewell!" "Wellfares," said Animal, his back to the street and a smile toward the sea with Jaugeline stretching into her laughter. And the brown paper bag in his right hand and Rolls at least rolling; away, as vividly done for the moment

Original Scan

Page 237

AI Interpretation

GPT

The ride splits apart: Davenport exits into Route 66 bravado while Animal and Jaugeline return to Hart Street with laughter, debt, and the brown paper bag.

The page is about divergence after the comic recovery of the previous scene. Davenport converts departure into freeway mythology, while Animal keeps answering social pressure with wordplay. The final image leaves the couple back on the street, poor and theatrical but still moving under their own comic pressure.

Claude

Davenport peels away into his own freeway mythology while Animal and Jaugeline continue on alone. The page resets the couple as a couple.