Page 178

By Jack Joseph Smith

viewed her being viewed by the flock of men members at the bar. Their faces were embarrising, and he didn't want any stock image of joke to come out of their detestable need to let nothing change. His right ear leaned to her at the edge of the very unhomespun silence. "To find out we better be walking," she smiled. Blackie stood inner-aware for the tips of his fin- gers holding and pouring, with a twisted tongue into an end curve, as if Animal's eyes were twisers ready to pull out on the twitching, just before a he and she of shoulder blades turned leaving. "American depression for the middle eastern saints," cried Blackie. At the door Animal said that it was true that oil had a good use for making things switch easily. They went walking by the sea for a time apart from problems. Away alcohol, instead down near the water with salt that would still heal. Down there alone along the line between nature and city. As a photo- graph to themselves, the only humanity not strangers to that sky. The first picture of a motherwomen be- fore children. But then Jauqeline was classical too. Letting her mind be floating. But no dreams at that verge of being outside of focus. But she didn't seem to care about romantic pieces of life changing more

Original Scan

Page 178

AI Interpretation

GPT

Once they leave the bar, the walk by the sea creates a rare interval of quiet where Animal and Jauqeline can exist outside the crowd's need to fix them into types.

The page treats shoreline space as a form of release. Salt, distance, and the line between city and nature strip away some of the theatrical pressure, even though neither of them fully escapes the older emotional patterns they carry.

Claude

Once they leave the bar, the walk by the sea is a rare interval of quiet where Animal and Jaugeline are not under observation. The page is one of the manuscript's tender beats.