Page 113

By Jack Joseph Smith

tight macroscopic dream turned macrocosmic. The walls were white, and the paintings now more red than evermore anything. She was walking, and the garlic was smelling with the mist cream color of the cheese, when she took her free hand and wiped her up finger across her nose knocking the fashioned dust beneath the last line of her loose cottoned bosom. Blankname watched Animal breathing; quite certain that he was doing tricks with his nostrols, and then he spoke to him, "Animal, I will take right now the body around any soul, but I am not capable of taking directly from the soul. Nothing To Be Afraid Of is a name that can laugh; I have no intention to cheet you. A place I build, that I can not leave? What do you think? All lies must be distroyed or run away from. You certainly understand that. So at this moment we must refer directly to this proposition as a matter of fact that puts dishonesty aside." Animal took a piece of garlic from the plate; and placed the shredded clove of it upon his tounge. She smiled seated now, and then raised wine with him. He then took of the white cheese, and bit of the crust from its unfolding end.

Original Scan

Page 113

AI Interpretation

GPT

Blankname brings the dream of the place back to hard terms, insisting that any partnership has to begin with directness rather than romantic drift.

The garlic, cheese, dust, paintings, and bodies keep the scene tactile even as the discussion turns moral. Blankname tries to strip illusion away without killing desire entirely: the place can be imagined, but only if dishonesty is put aside.


Claude

Blankname brings the dream back to hard terms, insisting any partnership has to be grounded. The page is the adult counterweight to Animal's drift.