Page 112

By Jack Joseph Smith

the streight line, rectitude; if long drawn out... repose; the triangle..., aspiration, etc.) Frank Loyd Wright he interposed-interweaved...... doing ones. Bar exam was certainly always to be cer- tain, even though some pass down to Gothic embarr- isment for a modern reaction. Is not the confessor the gas station, and are not the bishops beyond the erector set placed as a standard upon the oil fields? Blankname; "do you see Hollywood? so it is but. My illistration is not to become anything that is not immediately involved to my enviormental struggle; therefore I believe in Hollywood, because I live with her; But at the same time do know of the dead love that weeps like clouds beneath the surfaced earth in the valley's running away from her. A place so primite- ive that people might have once wanted to die there." Jacob thinking; "what do we do? where do we not go? how is it done?" Animal: (Secure; they are secure; or want such.) A tiny piece of dust dressed as a fiber came tack- ing like blown fringe from a ship sail. It twisted through the paths of light, and seemed destined to twirl as an air of lace about the daughter nose. Coming close to her face the twirl of it quickened, as if it were spinning out from the power of a

Original Scan

Page 112

AI Interpretation

GPT

This page pushes geometric theory into Hollywood, oil fields, environmental struggle, and a tiny airborne fiber that turns attention back toward the daughter.

Blankname refuses abstraction that loses contact with lived environment, yet he still thinks in symbols and structures. The page keeps making grand forms local: Hollywood, gas stations, oil fields, dead love under the valley, and a small bit of dust all become part of the same unstable aesthetic argument.

Claude

The table conversation pushes toward aesthetic theory — geometry, built form, human bearing — as if the dinner-house plan required a metaphysics. The page takes its business seriously in an unseriously high register.