Page 76

By Jack Joseph Smith

2 Moving out of the kitchen we go through a large room with a turn of the century piano, several large leather rocking chairs, and a record player spinning the Gordon Lightfoot album with "Alberta Bound" on it. The South sun is lovely through the huge San Franciscan bay windows. The ceilings are high with a brass chandelier. The big planked wooden walls are stained, but the ceiling and the window trim is of a bright white. Pictures of Indians hang in the light. Now we have reached the voices of the men in a smaller room. It is of the same design, but with a fireplaceand a large round oak table that almost fills the room. Keresene lamps line the mantle. There is a picture of the bust of Beethoven appearing like a ghost in what appears to be an eighteenth century opium den. The men around the table are older than the women. This is not a commune, but a gathering place for farmers and artists that are hell raisers. Their ages range from thirty to eighty, and the table is filled with bottles and glasses of red wine. Marijuana fills a large fruit bowl. The oldest man speaks in a Scottish tongue taking a flask of whiskey from his coat saying how he missed it in the mountains when his first wife died of snake bite. From there he takes his violin off his lap and a joint is passed around in solemn humor while he plays softly. "Alberta Bound" has finished on the record player as a young girl just out of childhood parades around the room coming into the violin with an elegant flute. There is enjoyment at the table and the wine is lifted above the eyes. Shot Focus ThE wifE glAss iMAGE A middleaged bearded Frenchmen makes a joke about going to Pittsburgh to write poetry. A big black haired black eyed man with a San Francisco look asks about money. And a heavy set man of fifty or so who is obviously a meat cutter by his uniform lays $200.00 on the table. It is followed by a man in his early seventy's with a Gary Cooper understanding who doubles the amount with WhilE AsKiNg if thE WouNdEd KNEE Bust hAs bEEN tAKEN cArE of - his throw. When the San Francisco man shells out a thousand; a man of about thirty five says, "that's enough, and thanks." Still hE pErsists with, "how About thE drugs ANd thE drAft dodgEr?" "thAt's fiNE too," thE MAN ANswErs.

Original Scan

Page 76

AI Interpretation

GPT

The film scene moves through rooms of music, farmers and artists, then depicts a gathering contributing money before questions about Wounded Knee, drugs and a draft dodger.

The writer stages music and conversation around a wine-filled table, adding directions for a shot of the wife and a glass image. The money and closing questions introduce obligations beyond the gathering. The scene's historical references remain character speech and do not establish events outside the script.

Claude

Film page '2': the camera moves through a room with a piano and Gordon Lightfoot's 'Alberta Bound', into a smaller room where farmers and artists drink, an old Scot plays the violin, and the men lay money on the table for a trip east, until one says 'that's enough, and thanks.'

The scene shows a community sending the couple off, with drink and music around the money. The margin note 'Shot Focus ThE wifE / glAss iMAGE' reads as a camera direction.