Page 13

By Jack Joseph Smith

warmth and softness paralelling a wanth, a deep feeling of the softness of the flesh, softness of the bosom. Floating into the folds of flesh into the foxes Fireside. The one stipulation and stimulation assaiated with another type of stimuouslous-// which stimulates associated priorities or props and prepositions same old story told a thousands ways. Till it bulges into only a thousands of ways to tell it. It su/per imcedes any esclamation!! F u c k I t !! guaranteed surveillif/ nce, youre to the country/side LATER........................?......... JIM A page of polictical poetry corresponding to to common belief about crresponding data reprosed into new data recovered fro m impertinite data still a high level not crresponding with present evaluation. Don't let it bring you down. Burning issues have no priority, over what is and what will be or what can survive and what will survive. Intellectially,. Fuck It. I'm floating off endlessly Illustrative art comes from an artists Illustrations, of his way of life through illustative art. A artists illustrative work through his own intentions into a creative egsenuity (misspelled, what the fuck)) Lovely words for a lovely lady. For the incased in a shelled county creating Cater- bury tales for those few which indulges. In a van shortlived, those moments of ecstasy. Thoroughly outlived, and to think coud come about again through understanding. Whether through understanding or drunkeness, It tise great, understanding..................................... Blind furies of rarebird (Rarebird) and faces falling into the puzzle, right Washington, eat your Dry all is earnestly, you honky mothers Be life, corresponde to it, don't. Be appalled everything will work with you not against you as you once believed. Critically. Visions have the time, but of course vision is with you if you have the time

Original Scan

Page 13

AI Interpretation

GPT

The writer moves from flesh and stimulation to political poetry, survival, illustrative art, ecstatic moments and understanding. A spaced Fuck It and a LATER line interrupt the opening passage.

The writer questions how repeated stories and recovered data can carry experience, then asks what survives and how an artist's life enters illustration. Typed repairs and unstable words prevent a settled reading of several clauses; the page's address to Washington and its signoff-like JIM remain part of this draft rather than verified context.


Claude

A dense typed stream of consciousness that moves from 'warmth and softness' to 'F u c k I t !!' and 'LATER ... JIM', then to 'A page of polictical poetry' and remarks on 'Illustrative art', ending 'Visions have the time, but of course vision is with you if you have the time'.

The page reads as a deliberately unedited, self-mocking burst ('misspelled, what the fuck'), and its typed spellings are kept as written.