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By Jack Joseph Smith

The Restraunt Of Kings Reguardless of age They act old taking chairs with their wives As in a Mass their black eyes are long While the skirts and tables, are a chorus they will not mention Yet the outward glance of grace sings... of the survivor? of the killer? of the dealer? Who no one ever knew, until it came time to order the wine, were shy, exactly one second before the observation.

Original Scan

Page 98

AI Interpretation

GPT

The speaker watches men sitting with their wives, compares their bearing to a Mass, and asks whether their grace belongs to a survivor, killer, or dealer.

The speaker leaves the men's pasts unresolved through those questions. The speaker ends by describing them as shy one second before the observation, placing vulnerability beside their solemn bearing.


Claude

'The Restraunt Of Kings' watches diners who, 'Reguardless of age', 'act old taking chairs with their wives', whose 'black eyes are long' as in a Mass, and whose 'outward glance of grace sings...' of 'the survivor? of the killer? of the dealer?', men nobody knew who 'were shy, / exactly one second before the observation.'

The poem turns a restaurant into a solemn court where ordinary men carry themselves like kings or mob bosses, and its three questions leave their true identities deliberately unsettled. The final line catches them in the instant before they are noticed, suggesting their gravity is partly a pose that the observer's glance both creates and exposes.