Page 82

The poem arranges revelation as a chain of flashes where consciousness, sensation, and praise erupt in quick bursts.

Single words like mind, flash, drug, flowers, and Eden make the piece feel like an explosion of associations rather than a continuous argument. The movement from splendor and glory to tunnel, vibration, visitation, and Einstein links ecstasy with science, danger, and perception. Even in fragmentary form, it reads like a mind trying to name sudden intensity from several angles at once.

'Explosion' is a single typed column of one-word lines, running from 'Off / Mind / Flash / Drug' through 'Flowers', 'Green' and 'Splendor' to an isolated 'Eden', then 'Points / Praise / Glory / Sky' down to 'Human / Safe' and a final, set-apart 'Einstein'.

The poem works like a burst of associations fired one at a time, tracing a mind-altering flash from drugged vision to paradise and on to religious praise and physical 'Vibration'. The two isolated words frame the arc: 'Eden' as the ecstatic center and 'Einstein' as the last word, tying the explosion of consciousness to the atomic explosion science made possible.