Page 80
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
War, money, and technology merge into a grotesque spectacle where killing is sold as disciplined modern achievement.
Vietnam, the Pentagon, wallets, hired brains, the Middle East, and cockpit instrumentation all collapse into one machinery of profit and destruction. The language keeps turning military action into commercial display and technical ritual, so guilt is pushed downward while the pilot chases individualized victory. Its density is aggressive, but the direction is clear: organized power has made murder sleek, global, and absurd.
'ALL / FOR / COUNT DOWN KILL' opens with 'The Vietnam War is done none to soon' as a Pentagon limousine arrives at a 'showroom / of GO***GO cigar girls and cocktails', then follows a 'Well disciplined new Kipling Cadet' pilot who 'craves the computer / of individualized victory:' while the missile's 'metalic glow going gray' reflects 'On the glaze of a Captain's eyes'.
The poem fuses commerce, sex, and the arms trade into one sales floor, so the end of one war is only the setup for the next ('while selling now concerns the Middle East'). Its jammed, run-on syntax mimics the rush of a strike, and phrases like 'exoneration with scientific exorcism' show technology washing guilt out of the act of killing. The cool distance of the cockpit, where 'the explosions of guilts below' are watched from above, is the poem's central horror.