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The speaker admits never knowing the names of his visions, then undercuts the mystery by saying he can always look them up.

The joke is sharp because it refuses to romanticize revelation. Vision arrives first and the filing system later, so transcendence gets dragged back into reference books, labels, and worldly afterthought.

An untitled three-line piece: 'I've never known the name of any vision / I've ever had... / But then I can always go and look it up'.

The ellipsis builds a mystical pause that the last line punctures with a deadpan practical fix, as if visions could be checked in a dictionary. The humor exposes the gap between experience and labels while quietly mocking the idea that naming something is the same as understanding it.