Page 31

By Jack Joseph Smith

Seed No will went against the plan The swift was not the now anymore Seaweed seemed quick Curled ages beyond your before Off a three hundred mile storm How the shadows grew down from the Sun cleaning up the flashes Paper watched with design Changed into damn-it On the way to the basket Simple that some metor of high seacoast night Knew that certain clouds would place places in all the worms I went for in the morning dew; also, a head strong goat answered The questions of dusk hereafter a no went in tongue kill intellectual taste against the plan that was finding enterance at the God Damned end When the infiant got out defined Due to a half assed industral day I believe that most of the fractions Seen in the immediate lean Were going to the sum

Original Scan

AI Interpretation

GPT

The speaker describes seaweed in a storm and worms in the morning dew. At the close, the speaker links an industrial day with fractions going to a sum.

The speaker moves from the seacoast to morning worms, placing natural life beside planning and work. In the final belief about fractions and a sum, I read a wish to account for scattered experience.

Claude

'Seed' is a turbulent run of images in which 'No will went against the plan', seaweed is 'Curled ages beyond your before' off 'a three hundred mile storm', paper changes 'into damn-it', and 'a head strong goat answered / The questions of dusk'. It ends with the belief that 'most of the fractions / Seen in the immediate lean / Were going to the sum'.

The title promises growth, but the page reads more like weather and wreckage: storm, shadow, worms in the morning dew, and a plan that keeps pressing against will and intellect. The syntax is broken and associative, so meaning arrives in flashes rather than argument, and the profanity ('the God Damned end', 'half assed industral day') keeps puncturing the lyric mood. The closing arithmetic image offers a tentative faith that scattered pieces add up to something whole.