Page 13

By Jack Joseph Smith

The nuclear and the mystic striking human vices from the societies Equally are garlanded by the replacement of non human ones Evidently mankind is perceived as offended by the deepness in the brain So the scientific is sent objectively underground Quietly missing the results of their projects Through the tunnel no soldier needs a spiritual crises Explains both the satisfied army And the individual revolutionary Coming to a place in the complete universe It is essential to point out, that all our power in its strange marriage of geometry and guilt, gazing ever with the assistance of glass actually has us ostensibility on strings

Original Scan

AI Interpretation

GPT

The poem argues that modern power replaces human vice with colder inhuman systems, binding science, war, and rebellion into the same structure.

Nuclear and mystic forces are treated as parallel rather than opposite, which gives the poem its unsettling balance. Science is sent underground and soldiers are relieved of spiritual crisis, suggesting a world where technique suppresses inner reckoning. The final image of geometry and guilt leaving us on strings makes power look precise, abstract, and deeply manipulative.

Claude

An untitled typed poem in which 'The nuclear and the mystic striking human vices / from the societies' are replaced by non human ones, science is 'sent objectively underground', 'Through the tunnel no soldier needs a spiritual crises', and 'all our power in its strange marriage / of geometry and guilt' ends up having 'us ostensibility on strings'.

The poem reads like a compressed essay on modern power, where technology and mysticism both remove the human from human failings. Soldiers, revolutionaries and scientists are placed in the same system, which spares them inner reckoning while keeping them controlled. The closing image of geometry and guilt, aided by glass, suggests a precise, watching apparatus that makes people into puppets.