Page 103
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Deborah is praised as an overwhelming figure of beauty and force who turns male desire into awe, pursuit, and near worship.
The poem treats Deborah less as an ordinary beloved than as a goddess whose body, motion, and laughter reorder the world around her. Images of hawk, nightingale, sea, plains, stars, and thunder make her feel both erotic and cosmic, while man appears below her as seeker, prey, swimmer, and worshipper. The energy comes from that imbalance: she is the source of ecstasy and danger, and male desire becomes a restless chase after an image that can never be fully mastered.
'DEBORAH IN JULY' is a long typed hymn to a woman addressed as 'Young godess of the plains and of the sea', 'the nightingale with the pounding heart / of the hawk', before whom man is seeker, prey, swimmer and worshipper. It ends with man ordered by 'the cold burning stars' to 'turn infinately out in poised chase / toward that image in rapture'.
The poem raises desire into cosmic worship, mixing tenderness and danger in the hawk-nightingale figure. Its single unbroken column of lines keeps the praise rushing forward, and the swimmer's 'last breast stroke to / freedom' and the plunge 'not unlike feeling the face of death' make love an ordeal as much as an ecstasy.