Page 235

By Jack Joseph Smith

Even though you say ESCAPE CAN'T be where you haven't BEEN YET To save a girth unsaddled so wise Where I see the wind pleading blood I say through the crosses that stay to make the planets visible while Eninco is longer im his stride He would say like a wild animal My BEING that nature is calm It is not nada to love and fire to bonita We are just not aloud to walk hand and hand to save the world Living our story is better told And there as I watched Eninco Look away upright on his hooves I knew the end of love For I knew the end of time

Original Scan

AI Interpretation

GPT

Escape, unsaddled wisdom, pleading wind, calm nature, forbidden handholding, and Eninco's longer stride turn love into a story already shadowed by the ends of love and time.

The page pulls against every sentimental idea of love by placing it among escape, blood, stride, fire, and prohibition. Eninco seems to embody a wilder poise, someone whose being can call nature calm without making it harmless. Watching him upright on his hooves teaches the speaker that love and time end together, though one interlinear revision cluster remains unresolved.

Claude

Eninco again, mostly on horseback; wind pleading blood through crosses, the calm of a wild animal, 'it is not nada to love / and fire to bonita.' They are not allowed to walk hand in hand to save the world; watching Eninco smite his hooves, the speaker knows the end of love and of time.