Glancing
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
A meditation on failed communication and misdirected thought, connecting diamond mines in South Africa, a lecture at Notre Dame, and the allegory of Eden to a world where education has vanished and street artists are the last remaining form of protection.
The speaker watches words as animals, recalls a lecture at Notre Dame and links polished stones to domination. The claim that street artists offer protection gives art a task amid the speaker's distrust of education and production.
'Glancing' moves from 'The archery from the head has not been well placed' and words 'watched like animals / within each others smell' to 'Diamonds in the ruff', 'the hoax in South Africa', 'a lecture I heard in nineteen sixty two / at Notre Dame, Indiana', and the claims that 'education on call for interpertation has vanished' and 'Street artists are the only protection', ending 'as we develope backwards what our offspring will do as lunatics'.
The title describes the method: each line glances at a new subject without settling, which suits a poem about lost interpretation. 'knarling', 'Dovermenpincher's', 'unbrella s', 'interpertation' and 'develope' are typed forms.