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After loss of gravity, numbers disappear; the speaker turns to how one finds them again.

The corrected Gravity replaces the old aesthetic-loss reading with a relation between orientation and numbers. The page does not spell out a mathematical or physical theory.

A handwritten fragment: 'after the / Loss of Gravity / Numbers / disappear; / Now it is how / You go about / finding them / again'.

Losing gravity, the page's word for orientation and weight, dissolves measurement; the poem places value in the method of recovery rather than the recovery itself. It sketches an image, not a physical theory.